The 1890 Series
The Value of the Stamp
George Washington (biography)
2¢ - Dark carmine
No caps on twos (see note below)
Scott #220 - 1890
Used: no value
No postmark with gum (MH): $4-$10
Full perfect gum, no postmark, no trace of stamp hinge mark (MNH): $15-$45
2¢ - Carmine, dark carmine (shown) or carmine rose
Cap on left "2" (see note below)
Scott #220a - 1890
2¢ - Carmine
Cap on right "2"
Scott #220b - 1890
see certificate below
2¢ - Carmine, dark carmine or carmine rose
Cap on both "2's" (see note below)
Scott #220c - 1890
2¢ - Carmine,
dark carmine or carmine rose
Scott #220d - 1890
Retail value of $30 ea.
Issued: 12th May 1890, earliest recorded example is also of this date.
Plate Size: Sheets of 400 subjects (4 panes of 100)
Printer: The American Bank Note Company
What you should look for
CAPS ON THE NUMBER 2
On top of the numeral two there is a horizontal extension, or line, commonly known as the cap. An example is shown above. To properly identify the stamp one should look for these caps. With these caps in mind one can now identify which variety of #220 you have.
No caps on either number 2 = #220
Should you find a pair or block with both #220a and #220¢ you have found a very scarce item. There are examples of caps on the right numeral 2 only, however this is the result of an inking flaw, not a plate flaw.
220b is unique.
The color of this stamp was changed from the lake of #219D to carmine, as a result of complaints about the lake color.
Without knowing it, the 1890 series was to be the American Bank Note Company's (ABN Co.) last printing of postage stamps. Until the flag overun series of the forties all stamps after this series were to be printed by the Bureau of printing and engraving.
On the left is shown the detail of a stamp from the 1890 series, note the absence of a triangle in the top left hand corner of the design. All the Bureau issues had a triangle cut into the design as shown on the right.
You will also notice the tremendous difference in quality between the two stamps. By 1890 the ABN Co. had perfected the art of printing postage stamps and it shows by the even ink sharp design and clean perforations. Contrast this with the spotty faded ink and uneven perforations on the Bureau's stamp on the right.
Around this time the artwork on advertising covers reached its
The Inspiration for the Design
The design was taken from the portrait bust of Washington by Jean Antoine Houdon. Now at Mount Vernon.
Varieties to look for
Other than the cap on the two variety mentioned above, there are no known varieties. . It is worth examining the certificate below for the 220 variety with cap on the right.
The Essay's and Proofs