2¢ - Carmine (for other shades see below)
Printing Method: FLAT PLATE
Subject: The Panama Canal
Number issued: 400,000,000
Perforations: 12
Watermark: Single Line USPS
Scott #: 398
Issued: January 1st, 1913
Used
50¢ - $1
No postmark with gum (MH)
$2.25 - $7.50
Full perfect gum, no postmark
no trace of stamp hinge mark (MNH)
$5 - $17.50
The earliest documented use of #398, January 17th, 1913
Sold June 2019 for $11,400
Explore Daniel Kelleher Auctions
#398 did have precancels, although uncommon.
#398 was issued with the following plate #'s
Number only
6306-17, 20-23
6432-42, 47
6647-50
While these stamps were current, a post office was established at Vera Cruz, Mexico, and various denominations of these stamps, perf. 12, may be found with this Vera Cruz cancellation. The station remained open until April 24th, 1914 and was discontinued November 23rd of the same year. Covers franked with stamps of this issue and cancelled Vera Cruz are much sought after. 'Whereas, the two lowest values are still quite common, covers bearing five or ten cent stamps of either perforations have become very desirable.
The above photo shows United States sailors at the door of a post office during the U.S. occupation of Veracruz, Mexico which took place during the Mexican Revolution. The U.S. troops entered the city on April 21, 1914 and stayed through November 1914.
A photograph of the War Department model
However when the starnps appeared the title below the vignette was "Panama Canal" instead of "Gatun Locks." Tlie reason for this change makes one of the most interesting stories of the production of the United States stamps of the 20th Century.
The vignette, engraved by i\i. W. Baldwin, presents an airplane view of the Pedro Miguel locks of the Panama Canal, instead of the Gatun locks, as noted above. The frame is the same design as was used for the one cent stamp and was engraved by the Bureau of Engraving and Printing.
After it had been decided to use a picture of the Canal on the two cent stamp the Gatun locks were selected as the subject, but the photographs received from Panama were not satisfactory. Director Ralph, of the Bureau of Engraving and Printing, visited the model prepared by the Bureau of Insular Affairs, on exhibition at the War Department, in the hope of being able to get a picture of it that could be used. The water was turned on, miniature ships placed int he model locks, and then photographed. This photograph was used for the engraving of the vignette, which was inscribed "GATUN LOCKS," the design being approved by the Postmaster General August 27, 1912.
The GATUN LOCKS error - all 32 million copies were destroyed
Sixteen plates were prepared and of these eight were put to press. After 32 million copies had been printed the Bureau's attention was called to the fact that the photograph used was of the " PEDRO MIGUEL LOCKS" and NOT the "GATUN LOCKS" as inscribed on the stamps. The Department immediately and naturally decided that it could not afford to issue stamps bearing a wrong inscription and the entire printing was forthwith ordered destroyed. Not one copy survived.
This change in attitude on the part of philatelic interests is evidenced by the various ideas for the "new commemoratives to be issued to celebrate the opening of the Panama Canal" suggested by stamp publications in 1911 and 1912. The leader in this movement was the Philatelic Gazette, whose editor, Wm. W. Randall, as a native Californian, had a two fold interest, in the advertising of the exposition and in the philatelic value of distinctive new' stamps. In the issue of lMay 15, 1911, he suggested the following six stamps to depict the great scenic effects of the West:
1c - The giant Geyser at Yellowstone National Park*
2c - The Golden Gate entrance to San Francisco Harbor
4c - The Grand Canyon of Colorado*
5c - The Locks of the Gatun Dam, Panama Canal
6c - The Big Trees of California*
10c - The Bridal VeiI Falls in Yosemite Valley*
* Four of the suggestions were not taken up, but, as you can see by my illustration above they were designed later in the century. Only the Bridal Falls of Yosemite did not make it on to a stamp.
By the middle of August 1912 the designs for the 1 cent and 5 cent had been accepted by Postmaster General Hitchcock, the 5 cent bearing his signature "approved July 16." The 2 cent was almost ready for approval at this time, pending the acceptance of a satisfactory picture of the Gatun Locks. The l0 cent stamp did not make as satisfactory progress as the others as no suitable photo could be found of any of the subjects under consideration. It had been intended to use a portrait of Juan Rodriguez Cabrillo, who in 1542 discovered the California mainland, on the highest denomination, but all efforts to find a picture of him proved futile. I. E. Bennet, who represented the exposition in Washington, finally discovered a painting acceptable to the Department, of one of the subjects under consideration and this was then used. Once the vignette subject had been accepted, work on the 10 cent stamp progressed rapidly, on the 22nd of August the latter stamp was approved, while the 2 cent stamp was not approved until August 27th.
There were, at the time, two fairly common portraits of Cabrillo circulating, and like all portraits of the early Spanish Explorers, they were based on the artists interpretation, there being no contemporary representation. Cabrillo, did make it onto a stamp in 1992.
The Gatun dam under construction
Everything about Gatun Dam was enormous. Its dimensions were without precedent: a crest length of 8,200 ft (2,500 m) and a maximum width of 2,300 ft (701 m). With a height of 105 ft (32 m) above sea level, it stored sufficient water to maintain an operating pool covering 164 mi2 (425 km2). At its center was the most critical structure, a mass concrete spillway capable of passing flood flows of the unpredictable Chagres River.
A postcard from 1913, after completion
The San Pedro Miguel Locks were so vitally important that Presidents Theodore Roosevelt and William H. Taft both stopped to inspect excavations and address workers here. The lock is so narrow that you could almost reach out and touch the "mules," the toylike silver locomotives that guide the ships.
The locks were one of the greatest engineering works ever to be undertaken when they opened in 1914. No other concrete construction of comparable size was undertaken until the Hoover Dam, in the 1930s.
A third larger lock was built in 216 to allow the passage of larger ships
The new third lock
The new locks allow transit of larger, neo-Panamax ships, capable of handling more cargo
A quarter sheet or one pane (70 stamps) of #398
2¢ - Carmine Lake
Number issued: 70
Perforations: 12
Scott #: 398a
Certificate Required
Used
No sales recorded
No postmark with gum (MH)
$500 - $1,000
Full perfect gum, no postmark
no trace of stamp hinge mark (MNH)
$13,000
2¢ - Lake
Number issued: 70
Perforations: 12
Scott #: 398b
Certificate Required
Used
$2,000
No postmark with gum (MH)
$3,500 - $5,000
Full perfect gum, no postmark
no trace of stamp hinge mark (MNH)
$10,000 - $15,000
398-E
GATUN LOCKS Essay with War Dept. photo added and vegetation inked in around the photo
On card
398-E
398-E1
Essay with Golden Gate as the vignette, this vignette was switched to the 5¢ value in this series. On photo paper, mounted on card
398-E1
398-E2
Essay with the Gatun Locks description error, signed off by Frank Hitchcock, unwittingly committing 32 million stamps to the trash dump.
398-E2
The exposition was a commercial success and as result efforts were made to save as much as possible, unfortunately most of the buildings were temporary in nature, including the tower. Furthermore almost all the Expo was on leased land and the owners expected to have their land back. Much of the exposition was built of plaster and wood. The Palace of Fine Arts was left to decay by the lagoon, only to be demolished in 1930, since then four replica's have been built in its place.
A 1915 photograph and painting of the Palace of Fine Arts
Reconstructed by the city of San Francisco, this is how the Palace of Fine Arts looks today
The Exposition lit at night
The Tower of Jewels
Encrusted with over 100,000 Novagems to make it sparkle in the sunlight
and at night by spotlight
Before demolition the jewels were removed from the tower and sold to the public, boxed, at $1 each
Two views of the Exhibition